For over twenty-five years, Mizna has been a woman-led contemporary arts organization. Since our founding, we have promoted experimental approaches to art, literature, and film; work that questions and expands the forms and conceptual frameworks of Arab and SWANA culture. We publish a biannual print literary and art journal, Mizna, and Mizna Online, a digital platform for literary and multidisciplinary work reflecting critically on the current realities of the SWANA region and beyond. We produce the Twin Cities Arab Film Festival, the largest and longest-running SWANA-centered film festival in the Midwest. Mizna also offers readings, film series, performances, public art commissions, and community events that have featured 1000+ local and transnational writers, filmmakers, and artists.
Mizna presents contemporary, critical, and experimental art, writing, and film centering the work of Arab and Southwest Asian and North African artists.
Mizna envisions being a nurturing and liberatory space that encourages the exchange of ideas and interdisciplinary work among artists, filmmakers, writers, and cultural workers locally and around the world. An organization that continuously furthers decoloniality in all of its work and creates sustainable and visible artistic careers.
Mizna supports Arab and SWANA artists, writers, filmmakers, and cultural workers making work on their terms. We create an unburdened space for artists and audiences to see their own experiences reflected in our programs. We add value and depth to our partnerships with other institutions and build our own table, rather than asking for a seat at an existing, oppressive table.
Mizna facilitates vital encounters, providing artists and audiences the opportunity to build community and engage in critical, stimulating, and challenging ideas, histories, and aesthetics.
Mizna reflects the multiplicity and intersectionality of the Arab and SWANA community. We actively question the evolving terminologies, histories, and geographies associated with our multifaceted communities through the work we produce and the spaces we build for our intersecting experiences. The term Arab is frequently misused or used with prejudice when labeling people of Southwest Asia and North Africa. It does not distinguish between countries, ethnicities, religions, cultures, and languages. While working to claim the crucial merits of the term Arab, we simultaneously embrace a geographical, more inclusive, and less Eurocentric term, SWANA, which helps us acknowledge the vast diversity of our community. From our position as an Arab/SWANA organization based in the US, we work to think about the new dimensions created by the diasporic experience while remaining connected to cultural work produced in the region itself.
Mizna furthers social justice and decoloniality in all our work. We understand the important role of cultural work during moments of upheaval and revolution as well as the slower-paced work of imagining and building toward collective liberation. We support and galvanize artists questioning and acting against oppressive structures of power who advocate for political movements such as Palestinian, Black, LGBTQIA+, disabled, and Indigenous liberation. We ensure space and visibility for artists who address these issues in their work and present programs that directly respond to our community’s needs.
Mizna advocates for artists and seeks equity in cultural work. We believe in sustainability for artists and our communities at large. We provide artists, writers, filmmakers, and cultural workers visibility and equitable financial and professional support by presenting their work in our public programs.
Mizna stands in solidarity with all indigenous peoples and movements across the world. As a SWANA organization based in the Twin Cities, we recognize that we operate on stolen Dakota land, Mnisota Makoce, and that the Dakota people are the rightful caretakers of this land. This recognition is one of several actions we must take in dismantling local and global forms of settler colonialism, from Turtle Island to Palestine. We also comply with BDS (Boycott, Divestment, Sanctions) and PACBI (Palestinian Campaign for the Academic and Cultural Boycott of Israel) in solidarity with the movement to liberate Palestine.
Ahmed AbdulMageed
Film Programming Coordinator
Ahmed AbdulMageed is an Egyptian-Palestinian aspiring film & media scholar. He graduated from St. Olaf College in 2020 with a … Continue reading “Ahmed AbdulMageed”
George Abraham
Editor at Large and Editor of Mizna Online
George Abraham (they/هو) is a Palestinian American poet. Their debut poetry collection Birthright (Button Poetry, 2020) won the Arab American Book … Continue reading “George Abraham”
Lamia Abukhadra
Art + Communications Director
Lamia Abukhadra is the Art and Communications Director at Mizna, where she works to put filmmakers, writers, artists, and thinkers … Continue reading “Lamia Abukhadra”
Heba Y. Amin
Curator of Visual Arts
Egyptian artist and scholar Heba Y. Amin currently teaches at Bard College Berlin, is a doctorate fellow in art history … Continue reading “Heba Y. Amin”
Lana Barkawi
Executive + Artistic Director
Lana Barkawi, Ph.D., is an experienced executive and artistic director, publisher, fundraiser, curator, and leader in the field of Arab … Continue reading “Lana Barkawi”
Michelle Baroody
Film Programming Curator
Michelle Baroody received her Ph.D. in Comparative Literature from the University of Minnesota in 2019. Her research interests include archival … Continue reading “Michelle Baroody”
Layla Faraj
Intern
Layla Faraj is a rising senior at Barnard College studying English and Literary Translation. Her work has appeared in the … Continue reading “Layla Faraj”
Nadwa Hussein
NNAAC Fellow
Nadwa Hussein is a fourth-year student at the University of Minnesota where she is pursuing majors in both Asian & … Continue reading “Nadwa Hussein”
Nour Eldin Hussein
Assistant Editor + Administrative Coordinator
Nour Eldin Hussein is an Egyptian essayist, poet, researcher, translator, and enthusiast of the written and spoken word. He lives, … Continue reading “Nour Eldin Hussein”
Elina Katrin
Assistant Editor + Community Engagement Coordinator
Elina Katrin is a Syrian-Russian immigrant and the author of the poetry chapbook If My House Has a Voice (Newfound, … Continue reading “Elina Katrin”
Aram Kavoossi
Literary Programs Coordinator + Assistant Editor
Aram Kavoossi is an artist, writer, and editor based in Minneapolis.
Ellina Kevorkian
Deputy Director
Ellina Kevorkian is an Armenian American artist, curator, residency director, and arts administrator whose 20-year career advocating for art and artists. … Continue reading “Ellina Kevorkian”
Moheb Soliman
Executive Editor
Moheb Soliman is an interdisciplinary poet from Egypt and the Midwest. Soliman first joined the staff of Mizna more than … Continue reading “Moheb Soliman”
Nailah Taman
Film Programs Producing Manager
Nailah Taman (they/them) is an Egyptian American artist + cultural worker currently based in Los Angeles. They have worked with … Continue reading “Nailah Taman”
W.A.G.E. Certification is a national program initiated and operated by W.A.G.E. that publicly recognizes those nonprofit arts organizations demonstrating a history of, and commitment to, voluntarily paying artist fees that meet our minimum payment standards.