Insurgent Transmissions: Foragers by Jumana Manna

  • Bryant Lake Bowl
    810 West Lake St, Minneapolis, MN


  • 06/26/2024
  • 7pm

Event details

Insurgent Transmissions is a film series highlighting the varied Palestinian experience. Made by contemporary Palestinian makers, the films depict the many ways that Palestinians resist occupation in their daily lives and filmmaking practices. Beginning with Annemarie Jacir’s touching family drama, Wajib, the programming will unfold as a series of transmissions: Jacir chooses the second film, and each subsequent filmmaker will select the next film in the series. The films in Insurgent Transmissions highlight the works of contemporary Palestinian filmmakers, amplifying their voices through their films and the films they see as most urgent in this moment of cultural erasure and genocide.

This monthly series is presented by Mizna at Bryant Lake Bowl April–July 2024. Ticket fees go towards supporting the featured Palestinian filmmakers, sliding scale of $5–15. Additional opportunities to support urgent grassroots fundraisers in Gaza will be available at the screening.

JUNE SCREENING

On June 26, 2024 at 7pm, join us for a screening of Foragers by Jumana Manna. In addition to ticket fees going to support the featured Palestinian filmmakers, we will be raising money for Middle East Children’s Alliance’s efforts in Gaza, an initiative which has been responding to the urgent needs of Palestinian civilians in Gaza.

TICKETS

ABOUT THE FILM

Foragers depicts the dramas around the practice of foraging for wild edible plants in Palestine/Israel with wry humor and a meditative pace. Shot in the Golan Heights, the Galilee and Jerusalem, it moves between fiction, documentary and archival footage to portray the impact of Israeli nature protection laws on these customs. Following the plants from the wild to the kitchen, from the chases between the foragers and the nature patrol, to courtroom defenses, Foragers captures the inherited love, joy and knowledge in these traditions alongside their resilience to the prohibitive law. By reframing the terms and constraints of preservation, the film raises questions around the politics of extinction, namely who determines what is made extinct and what gets to live on.

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