Claustrophobic and disorienting, donia salem harhoor’s poem invites us into a scene of recollection that weaves the mundane with the fantastical.
Originally published in Mizna 24.1: Myth and Memory, this poem is reprinted here as part of the Disability Folio.
—Kate Bestall, editorial intern
. . . nails in mouth you attempted to close the chasm by pounding away awkwardly at the loose slats you heard some scream thought it jay thought it locomotive thought it wind realized it was steam pushing through spout in the muddy rush to hot stove you forgot what tea you had wanted . . .
—donia salem harhoor
the six baby teeth extracted from your ear’s canal lay upon the dark walnut table of your blue gray kitchen they are singular relics of the children you let go the babies you swallowed after conjuring the magic you wished to reverse at 9:01 a.m. you were not yet aware of the black cuspids or their boney dance and gnawing attempts towards perforation instead you blamed the vertigo’s rattling spin on a last dip in the caribbean before getting on the plane home at 9:01 a.m. you refreshed the dog’s water put the kettle on steadied yourself against the sink basin looked out the window and saw branches of the neighbor’s sycamore biting through your fading fence you found the under the sink hammer pulled your crimson muck boots on slid unsteadily out the back door while holding back the dog who is much too eager for freedom to be trusted nails in mouth you attempted to close the chasm by pounding away awkwardly at the loose slats you heard some scream thought it jay thought it locomotive thought it wind realized it was steam pushing through spout in the muddy rush to hot stove you forgot what tea you had wanted inside it took time to find your pup the shrilling vapor sent her rushing to the farthest corner of upstairs closet ears pulled down her tired jaw chattered a dirge for her lost siblings at 10:13 a.m. two towns over your legs kissed the sticky vinyl examination chair while a man just met asked you to follow his finger with your eyes before he laid his hands on you you disappeared for a moment when he did pictured the sea then the dishes waiting your return the man cradled your head with an unexpected tenderness then threw you down your shocked arms flailed grabbed only air your eyes tracked wild through the dizzy obsidian descent all the eye exercises were not enough nor was this plummet only when you speak your nearly children’s names does some balance return their incisors spill out of you you catch them all plunge them into your pocket before the doctor’s assistant can see

donia salem harhoor is an unabashed dendrophile. They are a disabled, diasporic egyptian whose writing has received support from Periplus, RAWI, Lambda Literary, Roots.Wounds.Words, Tin House, Open Mouth Poetry, Swim Pony, and others. Their MFA in interdisciplinary art is from Goddard College.