July 30, 2024

various stages of unheard

by Sophia Attigui

She has bound herself to listening and has been careful not to speak for her subjects. Even the very act of stealing the camera is part of this redressing.

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March 22, 2021

Life Must be Disrupted in Order to be Revealed: The Recording as Record and the Hyper-Surveilled Entity Not Meant to Exist in An Unusual Summer

by Lamia Abukhadra

A nylon bag dances across the gravel lot, crinkling, and the camera follows it. A gust of wind, caught on camera as a swirl of dust moving from right to left. Aljafari zooms in and follows the swirl, repeating the gesture a few times. Every day, at 5:13 am, a man in a checkered shirt walks across the lot to catch a bus.

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February 22, 2021

Soleil Ô and a Transnational Third Cinema

by Ahmed AbdulMageed

Third Cinema filmmakers see film as a weapon with the camera as an “inexhaustible expropriator of image-weapons and the projector, a gun that can shoot 24 frames per second.”7 The act of filming then becomes more than a political act. Third Cinema films do not aim to re-aestheticize traditional cinematic modes, but to rather politicize cinema to the extent where a new cinematic code appropriate to its needs is established.

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