Third Cinema filmmakers see film as a weapon with the camera as an “inexhaustible expropriator of image-weapons and the projector, a gun that can shoot 24 frames per second.”7 The act of filming then becomes more than a political act. Third Cinema films do not aim to re-aestheticize traditional cinematic modes, but to rather politicize cinema to the extent where a new cinematic code appropriate to its needs is established.
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